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Showing all results Sorted by latest. In a probing engagement with the screen, an omnipresent object in contemporary life, Antonia Hirsch charts the gulf between the digital and the analog, the two spheres of which our perceived reality is composed. In provocative installations and objects, the artist conceives the distinctions between screen, mirror, and blade as less than sharply defined.

Her works show rigidly geometric shapes made of hard and shimmering glass and steel; they encounter eerily somatic and perishable-looking cardboard or soft foamed-plastic components that recall the bodies they perhaps once served. Do we think in images or in language?

Can writing visualize time? Heinz Gappmayr was interested in text as a spatial event and in letters as architecture. Although his works were often presented in the context of Visual Poetry, Gappmayr himself preferred the more neutral term text to lyricism.

However, his still lifes, flower and animal depictions, and abstracted portraits occur in a compelling discourse with the avant-garde of European art history. Yet the works are equally accessible without that background, namely with their playful and provocative gestures, which tend to push the depictions to the brink of possibilities.

After a comprehensive retrospective in the Villa Merkel Esslingen, this book documents the show and includes texts by Friedrich Meschede, Daniela Stöppel, and Christian Gögger. The second part gathers the voices of twenty renowned Joyce scholars, who, in five thematically organized chapters, share their perspectives on the color, texture, structure, and effect of Ulysses.

A feast for all who revere Joyce—and a gift of anyone who would not just read but truly wrap their mind around literature in its boldest and most luminous incarnation. The works of the 7 invited artists are engaged to explore skin in a broader sense—membrane also encompasses clothing, veiling, and masking from various cultural perspectives.

The membrane concept also inspired the exterior and interior surfaces of the new gallery building, and an interesting text by the architect reveals his approach. Widely acclaimed for her distinctive visual language, which combines drawing, performance, sculpture, and installation art, Japanese artist Chiharu Shiota b.

Creating large-scale thread installations that incorporate a variety of everyday objects and memorabilia, she forms powerful environments that evoke a sense of nostalgia, personal history, and collective memory. The catalog accompanies the exhibition The Unsettled Soul , the first presentation of the artist in the Czech Republic.

For years, together with his team, he has been tirelessly.

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In doing so, he draws on traditional Ethiopian techniques of weaving, braiding and carving. His friezes are monuments both to the throwaway society and to global networking and interaction. The volume includes insightful essays by Felicity Korn and Andria Hickey as well as an important conversation with Hans-Ulrich Obrist from Also discussed is the Zoma Museum complex, which was initiated by Sime together with the curator Meskerem Assegued —a total work of art that is exemplary for sustainability and community building.

Blows were dealt. An artist exposed and cut himself, others urinated in glasses, daubed themselves with dirt, and masturbated over the Austrian flag. Meanwhile, music was playing, including the national anthem; someone read pornographic writings. In an era in which multiple perspectives and oral histories are increasingly vital, Facts and Tales—Truth Be Told delves into the haunting work of Ilit Azoulay.

The artist, who was born in Jaffa in , transforms objects, archives, and museum holdings into vessels, challenging traditional hierarchies of knowledge. In her most recent solo exhibition Mere Things at the Jewish Museum, New York, Azoulay presents works that probe the delicate balance between factual representation and nuanced storytelling.

Azoulay has devised a singular method to shed light on the blanks in hegemonic narratives and expose them. As though to produce an extortion letter, she clips her pictures from archival materials and photographs of the walls of abandoned buildings and composes them in collages interweaving a multiplicity of views.